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This article examines the role of language in the constitution of a common identity through its liturgical use at the Eastern Orthodox church of St Andrew’s in Edinburgh, Scotland. Open to individuals who have relocated, the parish has a rather multinational character. It is a place of worship for populations that consider Christian Orthodox culture part of their long-established collective identity and for recent converts. Based on ethnographic research, archival work and theoretical contextualisation, the article examines the atmospheric materiality of the written text as performed by the readers, the choir and the clergy. This soundscape is an amalgam of different kinds of reading: prose, chanted prose, chanting and antiphonic, depending the part of the Liturgy being read. The language of the book is performative: the choreography and its symbolisms perform the words of the texts and vice versa. Additionally, the use of at least four languages in every service and two Eastern Orthodox chanting styles in combination with European influences expresses in the most tangible way the religious inclusivity that has been carefully cultivated in this parish. Through closer examination of literary transformation processes, I demonstrate the role of liturgical language in the creation of communal space-times that negotiate ideas of home and belonging in a new land. |
