The ‘Black’ Danube: Life and Poetry in the Forced Labour Camps of the Danube-Black Sea Canal
| Autor: | Roxana Elena DONCU |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2023 |
| Předmět: | |
| Zdroj: | Cultural Intertexts, Vol 13, Iss 1, Pp 33-44 (2023) |
| Druh dokumentu: | article |
| ISSN: | 2393-0624 2393-1078 |
| Popis: | Although the Danube-Black Sea Canal had been one of Ceaușescu’s pet projects, used by the communist leader to enhance his image as a visionary prophet of the Golden Era of socialism, the idea of a canal that would connect the Danube and the Black Sea may have been as old as ancient Roman history. It is certainly along one of the lines of Trajan’s Wall (Valul lui Traian), running along the Kara Su Valley, that the canal had been imagined, in the 19th century, by various adventurers and travellers. In the 20th century, with the development of technology, the idea turned into a project: in 1922 and 1923, two Romanian engineers (Jean Stoenescu Dunăre and Aurel Bărglăzan) came up with very definite plans of how to create a fourth arm of the Danube, which would help navigation by shortening the distance travelled by commercial ships with about 400 kilometres. The actual building of the Canal, initiated by Gheorghe Gheorghiu Dej at Stalin’s orders, was less intended as a technological advancement and more as a pretext to exterminate the interwar elite in the forced labour camps established along the Danube. Work at the Canal began in 1949 and ended in 1953, after Stalin’s death. Though only 20 km had been completed out of the intended 70 km, the legacy of the forced labour camps includes a large number of poems written by the detainees, detailing the inhuman treatment they received and making up a shattering testimonial of life in the Communist labour camps. My paper intends to present and analyse a selection of such poems, showing how they take up the myth of the exiled Ovid and mix it with symbols of Christian suffering. In most of the poems, the colour that is associated with life in the labour camps is black: the blackness of the Black Sea (the inhospitable Pontus, in Ovid’s poetry) is thus transferred onto the traditional ‘blue’ Danube. |
| Databáze: | Directory of Open Access Journals |
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