| Autor: |
Thomas Golsenne |
| Jazyk: |
francouzština |
| Rok vydání: |
2011 |
| Předmět: |
|
| Zdroj: |
Images Re-Vues, Vol 9 (2011) |
| Druh dokumentu: |
article |
| ISSN: |
1778-3801 |
| DOI: |
10.4000/imagesrevues.1646 |
| Popis: |
Studying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually elaborated his style through affinity or heterogenesis. But Crivelli has himself aroused a « family », the crivelleschi : these painters who imitated his style during around thirty years. In order to understand this phenomenon, we need another model: religious imitation, « hagiographic kinship » or « holy tribe ». |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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