| Autor: |
Maria OANCEA |
| Jazyk: |
German<br />English<br />Spanish; Castilian<br />French<br />Italian<br />Romanian; Moldavian; Moldovan |
| Rok vydání: |
2023 |
| Předmět: |
|
| Zdroj: |
Diversitate si Identitate Culturala in Europa, Vol 20, Iss 2, Pp 61-70 (2023) |
| Druh dokumentu: |
article |
| ISSN: |
2067-0931 |
| Popis: |
In The Return of the Author Eugen Simion addresses the means by which an author can be present in his or her works without the actual involvement of their biographical person/persona – their real-life identity. If, as Roland Barthes states, during the reading process the reader craves / desires the author’s figure, an essential way this presence is going to appear is the author’s voice – it is style. But the critical text itself is not devoid of style. Eugen Simion points out the essential part that language and form play in Roland Barthes’ theoretical discourse. and concludes that there are "fictions of ideas" that are literature in their own right. This article aims to explore the presence of the author within the critical text and the "pleasure of reading" the critical text, /such a text, seeing that, as Roland Barthes point out, only a „texte de jouissance” can speak of another „texte de jouissance”. When describing Roland Barthes’s discourse Eugen Simion speaks of its, but tenderness is also the term Ion Bogdan Lefter uses to describe Simion’s own critical approach. This article explores the author’s presence in Eugen Simion’s critical discourse in his work The Return of the author and the particularities of his voice as a writer. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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