| Popis: |
In this commentary, the author continues his first reflections on European Union cultural history, which opened up this field and introduced the theory of ‘paradoxical coherence’. Revisiting sociological and cultural-historical works by Beck and Gumbrecht, he argues that the EU can be seen as a ‘cultural shared risk community’, the sources of identity-building and sense-making consisting of the European citizens’ shared cultural risks and fears. From this he suggests a new agenda for cultural-historical research on the EU. |
