| Popis: |
The objetive of this reflection is to discuss the construction of the cinematic landscape in Quentin Tarantino movies Kill Bill vol. 01 and Kill Bill vol. 02. Firstly it is discussied of the specifities of the cinematic landscapes in the geographical context. In a second moment, it is used as methodological resource particular elements of the cinematographic technic such as frames, planes, angles, camera movements, colors and lightning and it was reached the conclusion that the scenaries and landscape that compose the movies are created through differenciated practices whose give the movies landscapes that points to elements of belonging and non-belonging, coherence and estrangement, linearity and subversion, as well as, harmony and discomfort |
