| Popis: |
As pieces of music are usually highly self-similar, online-learning short-term models are well-suited for musical sequence prediction tasks. Due to their simplicity and interpretability, Markov chains (MCs) are often used for such online learning, with Prediction by Partial Matching (PPM) being a more sophisticated variant of simple MCs. PPM, also used in the well-known IDyOM model, constitutes a variable-order MC that relies on exact matches between observed 'n'-grams and weights more recent events higher than those further in the past. We argue that these assumptions are limiting and propose the Differentiable Short-Term Model (DSTM) that is not limited to exact matches of 'n'-grams and can also learn the relative importance of events. During (offline-)training, the DSTM learns representations of 'n'-grams that are useful for constructing fast weights (that resemble an MC transition matrix) in online learning of intra-opus pitch prediction. We propose two variants: the Discrete Code Short-Term Model and the Continuous Code Short-Term Model. We compare the models to different baselines on the '“The Session”' dataset and find, among other things, that the Continuous Code Short-Term Model has a better performance than Prediction by Partial Matching, as it adapts faster to changes in the data distribution. We perform an extensive evaluation of the models, and we discuss some analogies of DSTMs with linear transformers. The source code for model training and the experiments is available at https://github.com/muthissar/diffstm. |
