Divine stage: spectacle of end century. Il cromuele

Autor:	Esther Merino Peral
Jazyk:	English<br />Spanish; Castilian
Rok vydání:	2014
Předmět:	escenografía italiana iconografía e iconología barroca fiesta barroca arte y arquitectura efímera oliver cromwell. Fine Arts Arts in general NX1-820 History of the arts NX440-632
Zdroj:	Anales de Historia del Arte, Vol 23, Iss 0, Pp 113-135 (2014)
Druh dokumentu:	article
ISSN:	0214-6452 1988-2491
DOI:	10.5209/rev_ANHA.2013.v23.43605
Popis:	While, over the first half of the seventeenth century, in Europe predominantly ruled the Giulio Parigi´s florentine figure, as an exponent of the scenographer, in the creation, design, organization and assembly of the shows for the Grand Dukes of Tuscany, the Medici, the fact is that in the second half, including its influence model, another’s Italian interesting centers were found, providing alternative artists and a very definite style in the Baroque, in line with the “Quadratturas” in its approach to the illusory decorations Set.
Databáze:	Directory of Open Access Journals
Externí odkaz:	https://doaj.org/article/4db692acd0464591998d2f28a538be9d Zobrazit plný text záznamu View record in DOAJ