Our Heritage: Hungarian Protestant Antiphons
| Autor: | Anette PAPP |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2024 |
| Předmět: | |
| Zdroj: | Studia Universitatis Babeş-Bolyai. Musica, Vol 69, Iss 1 (2024) |
| Druh dokumentu: | article |
| ISSN: | 1844-4369 2065-9628 |
| DOI: | 10.24193/subbmusica.2024.1.19 |
| Popis: | During the Middle Ages, the seemingly diverse liturgical practices across Europe were actually rooted in stable centers with long-standing traditions, with the Hungarian archbishopric center, Esztergom, notably contributing its own variant known as the Esztergom rite. This regional custom became the basis of liturgical practice in all of Hungary until it was replaced by the official Roman liturgy in 1630. The Esztergom rite, characterized by a blend of European and Hungarian traditions, influenced Hungarian Protestantism, leading to the development of vernacular plainchant, particularly flourishing from the mid-16th century onward. This resulted in a unique repertoire of Protestant vernacular chant, primarily found in gradual books. Research confirms that the majority of Hungarian Protestant graduals were not influenced by foreign models, but can be traced back to local medieval traditions, especially those of Esztergom. |
| Databáze: | Directory of Open Access Journals |
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