Autor: |
Golnesa Rezanezhad Pishkhani, Mattias De Backer |
Jazyk: |
angličtina |
Rok vydání: |
2024 |
Předmět: |
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Zdroj: |
Social Sciences, Vol 13, Iss 6, p 281 (2024) |
Druh dokumentu: |
article |
ISSN: |
2076-0760 |
DOI: |
10.3390/socsci13060281 |
Popis: |
Based on two research projects in the Brussels-based artistic workspace and NGO Globe Aroma, this paper shows how artists with a (recent) migration background make sense of the arts and the space in which they are produced. Born out of a need to counter the dominant presence of men in this artistic workspace and create a welcoming environment, textile-making and live radio were used as means of reclaiming space, fostering solidarity, and sharing personal narratives. Textile-making, traditionally associated with domesticity, was repurposed for public exhibition, challenging the dichotomy between private and public spheres. Furthermore, the projects challenged neo-colonial dynamics and traditional research methodologies. While asking which (micro-)political meaning these artists give to their works and practices, the paper also reflects on the cultural thresholds experienced by migrant artists wishing to access hegemonic arts institutions. |
Databáze: |
Directory of Open Access Journals |
Externí odkaz: |
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