| Autor: |
Ole Marius Hylland |
| Jazyk: |
angličtina |
| Rok vydání: |
2017 |
| Předmět: |
|
| Zdroj: |
Culture Unbound: Journal of Current Cultural Research, Vol 9, Iss 1, Pp 62-84 (2017) |
| Druh dokumentu: |
article |
| ISSN: |
2000-1525 |
| DOI: |
10.3384/cu.2000.1525.179162 |
| Popis: |
This article investigates how a digital turn and digital copies have influenced ideas, roles and authorities within a national museum sector. It asks whether digital mu-seums and their digital reproductions expand and/or challenge a traditional cul-tural policy. Two specific cases are highlighted to inform the discussion on these questions - the Norwegian digital museum platform DigitaltMuseum and Google Art Project. The article argues that there is a certain epochalism at play when the impact of a digital turn is analysed. At the same time, some clear major changes are taking place, even if their impact on cultural policies might be less than expec-ted. I propose that one of the changes is the replacing of authenticity with accessi-bility as the primary legitimating value of museum objects. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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