Błąd Epimeteusza? Teatr w sieci technik i technologii
| Autor: | Artur Duda |
|---|---|
| Jazyk: | English<br />Polish |
| Rok vydání: | 2022 |
| Předmět: | |
| Zdroj: | Pamiętnik Teatralny, Vol 71, Iss 1, Pp 121-137 (2022) |
| Druh dokumentu: | article |
| ISSN: | 0031-0522 2658-2899 |
| DOI: | 10.36744/pt.922 |
| Popis: | This article presents William B. Worthen’s latest book: Shakespeare, Theatre, Technicity (Cambridge, 2020), which offers a reflection on staging Shakespeare in the age of digital media domination. This publication by the renowned Shakespeare scholar is an important voice in the discussion of theatre as a hypermedium, that is, a medium that reaches for other media in order to establish its historical version in a particular period. Worthen’s concept is anchored not only in media theories, but above all in the philosophy of Bernard Stiegler, who regards the human being is a technical being, using material and technical prostheses to transcend his/her being-towards-death and to be able to exist beyond purely biological conditions. One of Worthen’s crucial arguments for considering theatre as a hypermedium is his extensive analysis of the practices, myths and dilemmas concerning the reconstruction of traditional Elizabethan theater; he defines them as remediation practices. |
| Databáze: | Directory of Open Access Journals |
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