| Popis: |
This paper disputes that a strong contrast can be drawn between the Old Comparative Theology and the New Comparative Theology, looking particularly at the arguments of Hugh Nicholson as well as drawing on Francis Clooney. It disputes a simplistic and monolithic dismissal of the Old Comparative Theology as guilty of ‘Orientalism’, and seeks to show that in figures like Rowland Williams, as well as F. D. Maurice that the discipline was important in breaking down boundaries between traditions. Building on this, an argument is made that the New Comparative Theology should be seen as part of a lineage of progression and understanding that links it with the Old Comparative Theology and the Theology of Religions, and that any attempt to see these as different, or contrasting, discourses is based upon a distorted or partial historical understanding. In this the work of Tomoko Masuzawa is also assessed, and issues surrounding the terms ‘religion’ and ‘world religion’ are discussed. It is also suggested that the weight of history may be a factor as to why the New Comparative Theology came to prominence in the USA rather than in Europe, or at least the UK. |
