Dramatyczne konstruowanie twarzy w wybranych utworach Tadeusza Różewicza
| Autor: | Ewelina Woźniak |
|---|---|
| Jazyk: | polština |
| Rok vydání: | 2014 |
| Předmět: | |
| Zdroj: | Przestrzenie Teorii, Iss 21, Pp 145-165 (2014) |
| Druh dokumentu: | article |
| ISSN: | 1644-6763 2450-5765 |
| DOI: | 10.14746/pt.2014.21.9 |
| Popis: | The purpose of this article is to present Tadeusz Różewicz as a poetic portraitist. Faces very often appear in the poet’s works and they play a special role there. The methods that are used to construct them can be grouped into four main categories: 1) a face as a performing subject, 2) a face as an object, 3) a face as a static construct, and finally 4) a face as an element, or metonymy, of human existence and entanglement with reality. In Różewicz’s poetry the human face is material and a mirror, but also a universal symbol of the human condition. These faces are usually distorted, decaying, and blurred. They symbolize the disintegration of the world in which human beings have to live. For Różewicz a face is the most condensed image of humanity and an equivalent of a substance in which every external stimulus leaves its mark. The way of using faces as a material and the process of disintegration that is described in detail constitute a dramatic and performative action which implements the objectives of fluid aesthetics, thus showing the moments of transition from meaning to nothingness and the process of erasing meaning. |
| Databáze: | Directory of Open Access Journals |
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