Studying the Poems of Omar Khayyam Based on Hypertextuality in Prominent Calligraphy Works (Case Study: Quatrain or Rubái No. 103)

Autor: Roghayyeh Dizajcheraghi, Farnoush Shamili
Jazyk: English<br />Persian
Rok vydání: 2024
Předmět:
Zdroj: هنر و تمدن شرق, Vol 12, Iss 44, Pp 54-67 (2024)
Druh dokumentu: article
ISSN: 2345-6612
2345-6620
DOI: 10.22034/jaco.2024.418361.1353
Popis: Among numerous calligraphy scripts, Nastaliq is inseparably associated with Iranian culture and literature, as it represents part of Iranian culture and art. The consonance of Nastaliq’s appearance with the spirit of Persian poetry provided the basis for more interaction of this writing style with Persian literature to give a balanced structure to the rhythmic poems. This script has various forms that are mostly applied in poetry, calligraphy, and Chalipa as kind of it. The quatrains No. 103 of Khayyam’s poem with a high degree of repetition by calligraphers in the form of Chalipa have been addressed in this research. To comprehend the concepts behind these artworks, it is required to study the textual relationships between them and carry out the relevant transtextual studies. The transtextuality approach of Gerard Genette targets all existing relationships between texts, among which hypertextuality is more adaptable to artistic texts. This term is defined as the influence of one text on another. Therefore, this research aims to systematically study the quatrains 103 of Khayyam’s poems, to address the textual relationships among them. The main research question here is to know how the hypertextuality of Genette can be identified in the mentioned works. The research method was based on a descriptive-analytical approach, and the data were collected relying on documented resources and observation by using qualitative analysis. According to the research findings, the reference to the hypotext in these works is significant, and the function of hypertexts is often serious, so the process changes very slowly.
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