W kręgu Tadeusza Kudlińskiego: Wiesław Gorecki
| Autor: | Michał Zdunik |
|---|---|
| Jazyk: | German<br />English<br />Italian<br />Polish<br />Russian |
| Rok vydání: | 2018 |
| Předmět: | |
| Zdroj: | Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, Vol 18 (2018) |
| Druh dokumentu: | article |
| ISSN: | 20811853 2081-1853 2300-5831 |
| DOI: | 10.24917/20811853.18.16 |
| Popis: | Three one-act plays – 'The Elevator', 'The Rebellion' and 'The Freud' – written by Wiesław Gorecki are analysed in the paper. These plays were premiered in 1934 by a theatre group Mikroscena, founded by Tadeusz Kudliński. In my opinion, Wiesław Gorecki’s dramas are examples of modern aesthetics (as defined by Richard Sheppard). We can read these works as a poetic drama ('The Elevator'), the Ibsenesque psychological theatre ('The Fraud') and a game with scenic illusion in the style of Pirandello ('The Rebellion'). Finally, I created a new term for Goreckis’ plays: 'miniature, light and bourgeois modernism'. |
| Databáze: | Directory of Open Access Journals |
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