| Popis: |
The present paper propose to investigate how the autobiographical subject is constructed in the text Carnets du voyage en Chine wich was written in 1974 by Roland Barthes. Another objective of this work will be indicate that Carnets can be understand as a space of problematization of the literary theory about the french autobiographical genre. The text of study will have as a distinctive mark the immediacy of living events in China and the time of his writing, where, the artifice of writing will allow the author construct themselves as a french man with a bourgeois formation in the context of the Great Chinese Proletarian Cultural Revolution. This context and details of the experience itself will set the tone of the story of Roland Barthes. We propose then, search the expression of the need to write as an organic need, and also as an imperative need of the bourgeois formation, who, at the same time rejects the subject but cannot ignored it. |
