| Popis: |
Through the “Anthroposcenic”, this paper explores how landscape becomes emblematic of processes deemed to mark an Anthropocene epoch, beginning with a detailed discussion of Simon Roberts’ photography of Somerset floods. The Anthropocene, whereby the human species is held to have made a distinctive mark on the geological record, has received extensive scientific and public commentary, and the Anthroposcenic indicates a potential point of correspondence with landscapes, both real and representational. The paper discusses the temporality of the Anthropocene, and forms of image work carried out around it. The paper then examines various forms of contemporary Anthroposcenic landscape imagery concerned with coastal erosion. Recent years have seen a proliferation of coastal art practice, with the meeting point of land and sea being an apt site for reflection on the Anthropocene and climate change. The paper also discusses imagery evoking undersea lost lands, including the North Sea’s former “Doggerland”. The paper sets current art practice alongside the imagery of scientific research, and within a genealogy of narratives of coastal change. |
