| Popis: |
Within the growing emergence of Argentine literature framed in dystopian science fiction genre, we find Rafael Pinedo’s work (Plop, Frío and Subte), which virtues highlight the opportunity to reading that writer’s books according to the present of the enunciation with a critical focus that enables the reflection about the context of production. In this sense, we will highlight a phenomenon that signed the novels of the mentioned author in relation to a climate of the times: the dialogical impossibility of enunciating differences and, together with it, the construction of identities. |
