La mise à profit du risque chez Maurice Ravel : une démarche surréaliste ?
| Autor: | Henri Gonnard |
|---|---|
| Jazyk: | italština |
| Rok vydání: | 2024 |
| Předmět: | |
| Zdroj: | Il castello di Elsinore, Vol 1, Iss 89 (2024) |
| Druh dokumentu: | article |
| ISSN: | 2036-5624 0394-9389 |
| DOI: | 10.53235/2036-5624/89 |
| Popis: | The present article discusses Ravel’s Gaspard de la nuit (1908) and L’Enfant et les sortilèges (1925) by by allowing a section of each of these works – namely ‘Le gibet’ and ‘Préambule féerique’ – to enter into resonance with the notion of risk-taking and the dictates of the Surrealist movement. While Ravel carries out experiments of an unusual and perilous character with a consummate art, the result is far removed from the Neoclassical perspective from which his works are usually considered. |
| Databáze: | Directory of Open Access Journals |
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