To dance wrong side out: Artaud, Mbembe and dance as a visceral insurgency of the body without organs: Artaud, Mbembe and dance as a visceral insurgency of the body without organs
Autor: | Silveira, Marina de Nóbile da, Dias, Luciana da Costa |
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Jazyk: | angličtina |
Rok vydání: | 2023 |
Předmět: | |
Zdroj: | Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-28 Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-28 Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-28 Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-28 |
ISSN: | 2237-2660 |
Popis: | The aim of this work is to investigate the question of body (and of dance as a possible way of overcoming the automatisms of the body). For this purpose, a broad concept of contemporary dance is introduced, taking Artaud and his concept of body without organs as a starting point. In a second moment, the discussion expands with the necropolitical reading of the present times, carried out by Mbembe, who deepened biopolitics by developing concepts such as mortification, reconstruction of oneself and viscerality. Through literature review, the conclusions obtained point towards the body – especially the body that dances – as a possibility of insurgence of the so-called visceral resistance. La question du corps (et de la danse comme possible dépassement de ses automatismes) est ici investiguée. Pour cela, le concept large de la danse contemporaine est présenté en prenant Artaud et le concept de corps-sans-organes comme point de départ. Dans un deuxième temps, la discussion s'élargit avec la lecture nécropolitique du présent, menée par Mbembe, qui a approfondi la biopolitique dans des concepts tels que la mortification, reconstruction de soi et la viscéralité. Enfin, la méthodologie utilisée est celle d'une revue bibliographique et les conclusions atteintes pointent vers le corps – notamment le corps qui danse – comme une possibilité d'insurrection de la soi-disant résistance viscérale. To Dance Wrong Side Out: Artaud, Mbembe and dance as a visceral insurgency of the body without organs – The aim of this work is to investigate the question of body (and of danc e as a possible way of overcoming the automatisms of the body). For this purpose, a broad concept of contemporary dance is introduced, taking Artaud and his concept of body without organs as a starting point. In a second m oment, the discussion expands with the necropolitical reading of the present times, carried out by Mbembe, who deepened biopolitics by developing concepts such as mortification, reconstruction of oneself and viscerality. Through literature review, the conclusions obtained point towards the body – especially the body that dances – as a possibility of insurgence of the so-called visceral resistance. |
Databáze: | OpenAIRE |
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