STYLISTIC PORTRAIT OF CONTEMPORARY SONG
| Jazyk: | ukrajinština |
|---|---|
| Rok vydání: | 2019 |
| Předmět: | |
| Zdroj: | Opera in linguistica ukrainiana; Том 2, № 26 (2019); 62-67 Записки з українського мовознавства; Том 2, № 26 (2019); 62-67 |
| ISSN: | 2414-0627 2415-7562 |
| Popis: | Статтю присвячено вивченню лінгвокогнітивних та лінгвостилістичних особливостей сучасної популярної українськомовної та російськомовної пісні. Встановлено алгоритм стилістичного аналізу тексту пісні Схема створення цього портрета охоплює такі етапи опису тексту: концептосфера пісні; граматичні, лексичні і стилістичні засоби створення експресивності; структура пісні; звукопис та/або кольоропис; креолізація тексту. Статья посвящена изучению лингвокогнитивных и лингвостилистичних особенностей современной популярной украиноязычной и русскоязычной песни. Предложен алгоритм стилистического анализа текста песни. Схема создания портрета песни охватывает следующие этапы описания: концептосфера песни; грамматические, лексические и стилистические средства создания экспрессивности; структура песни; звукопись и / или цветопись; креолизация текста. The article deals with the study of the means of achieving expression of contemporary popular songs at stylistic level. The notions of expression and stylistic portrait are revealed in the paper. With the help of a set of methods, the concept sphere of modern songs, their lexico-grammatical features have been studied. The expressive song is regarded as a creolized text, sounds and colors in the song are described. The stylistic portrait of a modern song is created. The song is one of the first genres of human creativity. However, despite a considerable attention of linguists, the lyrics still show new aspects that deserve to be studied. The topicality of the paper is, therefore, explained by theoretical aspects of modern linguistics and, above all, the need to explore the means of creating the text expressiveness, to suggest the prospects of using these tools in the communication process. Therefore, the purpose of the paper is to generalize and describe the linguistic methods and means of creating modern song text based on the theoretical foundations of contemporary stylistics, cognitive linguistics, communicative linguistics, linguocultural studies, and other humanities. In the contemporary song in various combinations, such tropes as metaphor, epithet, comparison, personification, hyperbole, metonymy, allusion, amplification, lithotum, oxymoron, solecism, stylization, euphemism are used.In this paper a stylistic portrait of a number of contemporary songs is constructed, taking into account the concentration of all of the above-mentioned techniques in them. The prospect of further research is seen in the analysis of songs in other languages (Ukrainian, English, and Chinese) on the basis of the Russian-made portrait of songs presented here. |
| Databáze: | OpenAIRE |
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