| Popis: |
The interplay between modernism and phenomenology, which is at the heart of Ariane Mildenberg’s essay, can hardly pass as a new subject: in the case of a major modernist such as Virginia Woolf—to whom Mildenberg devotes one of the chapters of her book—numerous studies have already drawn the parallel and called attention to the relevance of phenomenology in understanding modernist writing. Paradoxically enough, this seemingly well-attested kinship, as well as the theoretical complexities inher... |
