| Popis: |
How might a Russian play be translated and adapted through hip-hop and related genres on the British stage? What might such a process reveal about doing creative multilingualism beyond conventional language learning contexts, and via collaboration between scholars and artists in the creative industries? Our chapter explores how these questions emerged, and how the act of translating, adapting and performing the Russian play Oxygen came about. The idea for re-working Oxygen through aspects of ... |
