| Popis: |
Presenting “a cross-section of cutting edge postcolonial research on international cinema, research focused on more recent chronologies, new spaces and emerging technologies” (2), the book comprises twelve chapters, each analysing a single film plus an afterword. The selection of films spans forty-five years from Gillo Pontecorvo’s Italian-Algerian Battle of Algiers (1965) to Dakxin Bajrange Chhara’s The Lost Water: A Salt Worker’s Life (2010). Including fiction and documentary, the objective... |
