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Ovaj završni rad čine biografije, analize te prijevodi skladbi skladatelja Domenica Cimarose (Bel nume che adoro), Georga Friedricha Händela (Oh! Had I Jubal's lyre), Roberta Schumanna (iz ciklusa Myrthen op. 25: br.1 Widmung, br. 3 Der Nussbaum, br. 9 Lied der Suleika, br. 16 Rätsel, br. 25 Aus den östlichen Rosen te iz op. 35, br. 4 Erstes Grün), Ivana pl. Zajca (Lastavicam), Dore Pejačević (U lovu je mjesec na sunce), Pjotra Iljiča Čajkovskog (Gornimi tiha letela duša nebesami), Mauricea Ravela (iz ciklusa Cinq Mélodies populaires grecques: br. 1 Chanson de la mariée i br. 2 Là-bas, vers l'église), Felixa Mendelssohna Bartholdyja (Wenn sich zwei Herzen scheiden), Rimski Korsakova (Ne veter veya s vysoty) Wolfganga Amadeusa Mozarta (In uomini, in soldati) te Giuseppea Verdija (Saper vorreste). Kako bi pjevač uspješno izveo solistički koncerta, nužno je poznavanje sadržaja navedenih skladbi, stilske karakteristike razdoblja te svog pjevačkog aparata. This final paper work consists of biographies, analysis and translations of the compositions of composers Domenico Cimarosa (Bel nume che adoro), Georg Friedrich Händel (Oh! Had I Jubal's lyre), Robert Schumann (from the song cycle Myrthen op. 25: No.1 Widmung, No. 3 Der Nussbaum, No. 9 Lied der Suleika, No. 16 Rätsel, No. 25 Aus den östlichen Rosen te iz op. 35, No. 4 Erstes Grün), Ivan pl. Zajc (Lastavicam), Dor Pejačević (U lovu je mjesec na sunce), Pyotr Ilyich Tchaikovsky (Gornimi tiha letela duša nebesami), Maurice Ravel (from the song cycle Cinq Mélodies populaires grecques: No. 1 Chanson de la mariée i No. 2 Là-bas, vers l'église), Felix Mendelssohn Bartholdy (Wenn sich zwei Herzen scheiden), Rimski Korsakov (Ne veter veya s vysoty), Wolfgang Amadeus Mozart (In uomini, in soldati) and Giuseppe Verdi (Saper vorreste). In order for a singer to successfully perform a solo concert, it is necessary to know the content of the mentioned compositions, the stylistic characteristics of the period and his singing apparatus. |
