| Autor: |
Stolk, S., Werner, W.G. |
| Přispěvatelé: |
Nouwen, Sarah, Megret, Fred, Heller, Jon Kevin, Ohlin, Jens |
| Jazyk: |
angličtina |
| Rok vydání: |
2020 |
| Zdroj: |
Stolk, S & Werner, W G 2020, Moving Images: Modes of Representations and Images of Victimhood in Audio-Visual Productions . in S Nouwen, F Megret, J K Heller & J Ohlin (eds), The Oxford Handbook of International Criminal Law . Oxford Handbooks, Oxford University press, pp. 583–598 . https://doi.org/10.1093/law/9780198825203.003.0026 |
| Popis: |
This chapter is an analysis of how audio-visual representations of the work of international criminal tribunals create narratives around victims. It highlights one important aspect of those narratives: they do not merely reflect and represent, they also create. More specifically, victims and victimhood are not pre-given categories, but are instead constituted via acts of representation, including audio-visual ones. Viewing this material through the lens of a typology of modes of representation in documentary film theory, this chapter argues that audio-visual productions have created different types of victims. Whereas advocacy documentaries have produced ‘ideal’ victims, critical documentaries ‘argumentative victims’, and observatory documentaries ‘translated victims’, audio-visual materials produced by the International Criminal Court itself have presented ‘bureaucratized victims’. |
| Databáze: |
OpenAIRE |
| Externí odkaz: |
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