CONSERVATION TREATMENT OF THE FRAMED OIL PAINTING ON CANVAS 'MADONNA WITH CHILD AND SAINT ANTHONY'
| Autor: | Matas, Silvija |
|---|---|
| Přispěvatelé: | Kekez, Lana |
| Jazyk: | chorvatština |
| Rok vydání: | 2020 |
| Předmět: |
ukrasni okvir
marouflage uljena slika na platnu oill painting on canvas lining Konzervacija-restauracija pozlata Conservation-restoration FIELD OF ART. Fine Arts. Conservation and Restoration maruflaž podstavljanje decorative frame UMJETNIČKO PODRUČJE. Likovne umjetnosti. Konzervacija-restauracija gilding |
| Popis: | Uljena slika na platnu ''Bogorodica s Djetetom i Sv. Antom'' s pripadajućim ukrasnim okvirom dio je inventara župe Sv. Nikole u Komiži. Slika je zatečena u stabilnom stanju uz minimalna oštećenja platnenog nositelja i slikanog sloja. U prošlom je zahvatu slika zalijepljena na lesonitnu ploču pčelinjim voskom. Stoga je konzervatorsko-restauratorski zahvat primarno bio usmjeren na odvajanje slike od ploče. Ostali konzervatorskorestauratorski zahvati sastojali su se od čišćenja slikanog sloja od zatečenih nečistoća, laka i retuša, te rekonstrukcije oštećenja platnenog nositelja i slikanog sloja. Pozlaćeni rezbareni drveni ukrasni okvir zatečen je u relativno stabilnom stanju. Zatečena su manja oštećenja drvenog nositelja, te lokalno odvajanje preparacije s pozlatom od nositelja. U prošlom su zahvatu izvedene lokalne rekonstrukcije nositelja i preparacije na koju je nanesen premaz zlatnom bojom. Konzervatorsko-restauratorski zahvat obuhvatio je stabilizaciju slikanog sloja i drvenog nositelja, uklanjanje prethodnih intervencija, te rekonstrukciju preparacije i pozlate. The framed oil painting on canvas ''Madonna with Child and Saint Anthony'' is in the possession of the church of St. Nicholas in the town of Komiža on the island of Vis. The original painting was well preserved, with minimal damage to the canvas and paint layer. In the previous treatment the painting had been fixed to the hardboard using beeswax. Therefore, the conservation treatment has been primarily focused on separating the painting from the hardboard. Other conservation treatments consisted of surface cleaning, removal of varnish and retouches and the reconstruction of damaged areas of the canvas and paint layer. The found condition of the craved gilded decorative frame was relatively stable, with minor damages to the wood and local delamination of the ground and gilding layer. Local reconstructions of the wooden support and the ground layer had been carried out in the previous treatment, as well as local retouching using the golden paint. The conservation treatment consisted of the stabilization of the wooden support, ground layer and gilding, the removal of the previous interventions and the reconstruction of the ground layer and gilding. |
| Databáze: | OpenAIRE |
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