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U ovom radu obrađuje se problematika prepoznavanja izvornih grčkih brončanih skulptura u odnosu na rimske kopije. Istražuju se tehnike lijevanja i umetanja intarzija kojima su izrađene izvorne grčke brončane skulpture. Ovaj se rad također dotiče pitanja autohtonosti brončane glave Artemide s Visa. Istražuju se mogućnosti primjene digitalnih metoda dokumentacije i rekonstrukcije te obrazlažu prednosti navedenih metoda. Na primjeru Artemide s Visa bit će izvedena rekonstrukcija u digitalnom obliku i u PVA odljevu te će biti izneseni rezultati istraživanja. In this paper, the issue of recognition of Greek original sculptures from Roman copies will be elaborated on. The research on bronze casting techniques that were used in Ancient Greece and the techniques of decorating sculptures with inlays will be presented. In this paper the question of the authenticity of the bronze head of Artemis found on the Island of Vis will be covered. The research will also include the use of digital methods of documentation and reconstruction in conservation-restoration and elaborate on the advantages of such techniques. Apart from virtual reconstruction, a reconstruction of inlays on a cast-off made from polyvinyl acetate will be made. As an example, a digital reconstruction of the bronze head of Artemis will be used to showcase the results of the research. |
