Julije Klović: naručiteljski kontekst
| Autor: | Ćurić, Nika |
|---|---|
| Přispěvatelé: | Borić, Laris |
| Jazyk: | chorvatština |
| Rok vydání: | 2018 |
| Předmět: |
naručitelji
HUMANISTIC SCIENCES. History of Art. History and Theory of the Fine Arts Architecture Urbanism and Visual Communications miniatures of Giulio Clovio minijature Julije Klović patronage zrela renesansa manirizam groteske High Renaissance Marino Grimani grotesque Alessandro Farnese Mannerism HUMANISTIČKE ZNANOSTI. Povijest umjetnosti. Povijest i teorija likovnih umjetnosti arhitekture urbanizma i vizualnih komunikacija |
| Popis: | Povijest umjetnosti je odavno u područje znanstvenog interesa uključila istraživanje okolnosti i razloga narudžbi. To naročito vrijedi za razdoblje ranog novog vijeka kada su naručiteljski zahtjevi u velikoj mjeri određivali temu i izgled nekog umjetničkoga djela, dok je majstor povezivanjem sa značajnijim naručiteljem stjecao slavu i dobivao daljnje narudžbe. Minijaturist Julije Klović rođen je u Grižanama 1498. a umro je u Rimu 1578. godine. S osamnaest godina je otišao u Veneciju gdje je ušao u službu uglednih plemića Domenica i Marina Grimani. Ondje je ostao do 1523. godine, no od 1534. Marino Grimani je ponovno postao Klovićev mecena. Za Marina je Klović izradio tri kodeksa: Evanđelistar Grimani, Časoslov Stuart de Rothesay te Komentar kardinala Marina Grimanija uz poslanice sv. Pavla apostola. Nakon Grimanijevih Klović je ušao u službu jednog od značajnijih rimskih mecena tog doba, kardinala Alessandra Farnesea, kod kojeg je ostao do kraja života. Zahvaljujući Farneseu Klovićevi su radovi bili poslani na dvorove Španjolskog kraljevstva, Svetog Rimskog Carstva te Kraljevine Engleske zbog čega je njegov stil utjecao na tamošnje minijaturiste, a Klović postao izrazito cijenjen na širem europskom prostoru. Marino Grimani i Alessandro Farnese bili su dva ključna Klovićeva patrona koji su uvelike utjecali na razvoj njegove karijere. Zahvaljujući njima Klović je putovao i tako upoznao druge velike majstore čija su djela utjecala na razvoj njegova stila. Osim toga, i sami su naručitelji imali znatan utjecaj pri oblikovanju minijatura, prije svega kroz ikonografski odabir motiva. The research of circumstances and reasons of orders have been for a long time a part of scientific interest of art history. Especially for the period of 15th and 16th century when demands of patron dictated the the look of art pieces and also atrists who got conected with significant patrons assured their fame and further work. Giulio Clovio was a Renaissance miniaturist who was borne in Grižane 1498. and died in Romen 1578. When he was eighteen years old he went to Venice where his patrons became Domenico and Marino Grimani. He stayed at their household until 1523. and returned in 1534. when Marino Grimani became his patron again. For him Clovio made three codices: The Grimani Evangelistary, Stuart de Rothesay Book of Hours and Commentary of Marino Grimani to the Epistles of St Paul the Apostle. After Marino Grimani Clovio's patron became one of the biggest patrons of the Renaissance art, Alessandro Farnese, he stayed in his household until his death. By virtue of Alessandro Farnese Clovio's miniatures were sent on courtyards of Kingdom of Spain, Holy Roman Empire and Kingdom od England and because of that his style effected other miniaturists and also he was very respected as an artist. Marino Grimani and Alessandro Farnese were the two most important patrons of Clovio's work, and they effected his work. On the one hand thanks to them Clovio had traveled a lot and in that way he met other artists who had a significant effect on his style. On the other hand patrons also had an effect on the works, firstly we can see that in iconography of scenes that Clovio painted. |
| Databáze: | OpenAIRE |
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