Art, Technique and Ideology: between Italian and Croatian New Tendencies
| Autor: | Sonja Nikolic, Vesna Mestric, Igor Peteh, Vesna Rastija, Stanko Popovic, Werner Schulze, Marcel Bacic, Oleg Bodnar, Franka Miriam Bruckler, Marcin Brzezicki, Dragan Bukovec, Darko Tibljas, Ivan Razum, Patrick Fowler, Ivan Ladislav Galeta, Oleg N. Grinbaum, Borut Juvanec, Janja Juzbasic, Andreja Malovoz, Leonida Kovac, Angela Lohri, Dunja Mandic, Sonja Jurkovic, Tihomir Marjanac, Irena Paulus, Mirta Pavic, Ztlako Bielen, Blazenka Pintaric, Nenad Roban, Leonid P. Romankov, Giovanni Rubino, Davor Sanvincenti, Zvonimir Sikic, Beatriz Tomsic Cerkez, Drazen Vitolovic, Dmitry Weise, Domen Zupancic |
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| Přispěvatelé: | Sonja Nikolic, Vesna Mestric, Igor Peteh, Vesna Rastija, Stanko Popovic, Werner Schulze, Marcel Bacic, Oleg Bodnar, Franka Miriam Bruckler, Marcin Brzezicki, Marcin Brzezicki, Dragan Bukovec, Darko Tibljas, Ivan Razum, Patrick Fowler, Ivan Ladislav Galeta, Oleg N. Grinbaum, Borut Juvanec, Janja Juzbasic, Andreja Malovoz, Leonida Kovac, Angela Lohri, Dunja Mandic, Sonja Jurkovic, Tihomir Marjanac, Vesna Mestric, Irena Paulus, Mirta Pavic, Ztlako Bielen, Blazenka Pintaric, Nenad Roban, Leonid P. Romankov, Giovanni Rubino, Davor Sanvincenti, Werner Schulze, Zvonimir Sikic, Beatriz Tomsic Cerkez, Drazen Vitolovic, Dmitry Weise, Domen Zupancic, Patrick Fowler, Sonja Nikolic, Vesna Mestric, Igor Peteh, Vesna Rastija, Nikolic, Sonja, Mestric, Vesna, Peteh, Igor, Rastija, Vesna, Popovic, Stanko, Schulze, Werner, Bacic, Marcel, Bodnar, Oleg, Miriam Bruckler, Franka, Brzezicki, Marcin, Bukovec, Dragan, Tibljas, Darko, Razum, Ivan, Fowler, Patrick, Ladislav Galeta, Ivan, Grinbaum, Oleg N., Juvanec, Borut, Juzbasic, Janja, Malovoz, Andreja, Kovac, Leonida, Lohri, Angela, Mandic, Dunja, Jurkovic, Sonja, Marjanac, Tihomir, Paulus, Irena, Pavic, Mirta, Bielen, Ztlako, Pintaric, Blazenka, Roban, Nenad, Romankov, Leonid P., Rubino, Giovanni, Sanvincenti, Davor, Sikic, Zvonimir, Tomsic Cerkez, Beatriz, Vitolovic, Drazen, Weise, Dmitry, Zupancic, Domen |
| Jazyk: | angličtina |
| Rok vydání: | 2014 |
| Předmět: | |
| Popis: | The aim of this essay is to show how, from the 1950s to early 1970s, arts and technologies evolved side by side owing to the new practices borrowed from the legacy of abstract art. Both in Italy and Croatia, several left-wing scholars wrote on the relations between art and technology as an important factor of social progress. On this basis, it was implied that the leftist ideology had a decisive effect on the new artistic attitudes. These took place in Zagreb during the Nove tendencije exhibitions, held in 1961 and 1963 respectively, where several kinetic and so-called "programmed" artworks were displayed. However, just after the 1965 edition of Nove tendencije, Italian artistic research was changed by the Arte Povera movement in 1967. As a consequence, the gap between "programmed" art the Left increased. Although in Italy such changeover caused a complete break in the relationship between art and technology, in Zagreb the last Tendencije exhibitions, held in 1969 and 1973 respectively, combined the computer-based and conceptual art trends with left-wing radicalism. |
| Databáze: | OpenAIRE |
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