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Diplomsko delo obravnava srednjeveške oblike ljudsko-smehovne ali karnevalske kulture v romanu Jamnica Lovra Kuharja – Prežihovega Voranca (1893–1950), opirajoč se na Bahtinovo teorijo karnevala, kakor jo je gradil in definiral na podlagi del o velikanih Gargantuaju in Pantagruelu francoskega pisatelja Françoisa Rabelaisa iz 16. stoletja. Na začetku je predstavljen znameniti ruski filozof, literarni teoretik in umetnostni zgodovinar Mihail Mihajlovič Bahtin (1895–1975), razložena je njegova teorija karnevala in definiran je pojem karnevalizirane literature. Temu sledi pojasnitev estetske koncepcije figurativnega sistema srednjeveške ljudsko-smehovne kulture. V empirični del naloge uvede pojasnitev širšega konteksta nastajanja romana Jamnica s poudarkom na vrstno-žanrski opredelitvi kolektivni roman. Nato pa v njem detektiramo in analiziramo elemente ljudsko-smehovne kulture. Čeprav Jamnica ni v celoti karnevalizirano literarno delo, izkazuje mnoge pomembne elemente ljudsko-smehovnih oblik, kjer posebej izpostavimo posamezne prizore, za katere je značilen praznični karnevalski duh, ljudsko-praznične, pirovanjske podobe ter groteskno telo. The thesis discusses medieval forms of culture of popular laughter or carnival culture in the novel Jamnica by Lovro Kuhar – Prežihov Voranc (1893–1950), based on Bakhtin's theory of carnival as he built and defined it in reference to works about the giants Gargantua and Pantagruel by the French author François Rabelais from the 16th century. The study initially addresses the famous Russian philosopher, literary theorist, and art historian Mikhail Mikhailovich Bakhtin (1895–1975), explains his theory of carnival and defines the concept of carnivalized literature. It further outlines the aesthetic conception of the figurative system of the medieval culture of popular laughter. In the empirical part, the thesis introduces an explanation of the broader context of the creation of the novel Jamnica with an emphasis on the type-genre definition of the collective novel. It then detects and analyzes elements of the culture of popular laughter in the novel. Although Jamnica is not a fully carnivalized literary work, it shows many important elements of forms of the culture of popular laughter, where the thesis particularly highlights individual scenes that are characterized by a festive carnival spirit, folk festive feasting images, and a grotesque body. |
