Test spomina - družinski arhiv in hranjeni predmeti v dialogu s pristopi sodobnih fotografskih praks
| Autor: | Rosc, Lucija |
|---|---|
| Přispěvatelé: | Stupica, Matej |
| Jazyk: | slovinština |
| Rok vydání: | 2022 |
| Předmět: |
visual communications photography archive archiving memory contemporary art photograph album collective memory individual memory object still life unmonumental virtual space MA thesis
vizualne komunikacije fotografija arhiv arhiviranje spomin sodobna umetnost fotografski album kolektivni spomin individualni spomin objekt tihožitje nemonumentalno virtualni prostor magistrska naloga |
| Popis: | V magistrski nalogi se posvečam predstavitvi fotografskega medija v kontekstu zapisovanja spominov ter preko različnih sodobnih avtorjev prepoznavam pestrost vidikov umetniškega ustvarjanja z arhivi. Predstavljam relevantnost družinskega albuma in ponujam idejo njegove forme v prihodnosti. Ukvarjam se tudi s kolektivnim in individualnim spominom ter njuno povezavo s primarno družino in okoljem odraščanja. Ponujam razmislek o shranjevanju in uporabnosti predmetov ter njihovi vlogi materializiranih spominov. Posvečam se objektu, njegovi ontologiji, tihožitju v povezavi z reklamno fotografijo in nemonumentalnosti znotraj sodobnih umetniških praks. Skozi praktični vidik zaobjamem zgoraj omenjene iztočnice, ki so vključene v virtualno fiktivno razstavo in dopolnjene z obrazstavnim katalogom. The present MA thesis focuses on presenting the medium of photography in the context of documenting memories and acknowledges the diverse possibilities of art practices encompassing archives through the work of a selection of contemporary artists. In my thesis, I present the relevance of family albums and offer ideas how their form will develop in the future. This is followed by considering collective and individual memories with their connection to an individual’s elementary family and the environment they grew up in. I then observe how objects are stored and how useful they are as well as their role of materialised memories. The focus is put on an object, its ontology, still life in connection to commercial photography and unmonumentality in the context of contemporary art practices. All the aspects are then summed up and included in the practical part of the thesis in the form of a fictive virtual exhibition and an accompanying catalogue. |
| Databáze: | OpenAIRE |
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