Pleme
| Autor: | Šiško, Dorijan |
|---|---|
| Přispěvatelé: | Kenda, Boštjan Botas |
| Jazyk: | slovinština |
| Rok vydání: | 2019 |
| Předmět: |
spekulativno oblikovanje oblikovalska fikcija sodobna umetnost multimedija oblikovanje in umetnost plemenska kultura osnovne človeške potrebe postvirtualnost magistrska naloga
graphic design speculative design design fiction contemporary art multimedia design and art tribal culture fundamental human needs post-virtuality MA thesis |
| Popis: | Ta magistrska naloga obravnava ustvarjanje avtorske razstave, naslovljene Tribe, jo dokumentira ter prikazuje teoretsko in diskurzivno ozadje tega projekta. Projekt je tako predstavljen skozi prizmo spekulativnega oblikovanja in njegovih teoretski iztočnic. Naloga se začne z razmišljanjem o odnosu med oblikovanjem in umetnostjo ter njunem medsebojnem vplivanju. V teoretskem delu naloge je predstavljen diskurz spekulativnega oblikovanja in njemu sorodnih vej: radikalnega in fikcijskega oblikovanja te smeri zajemajo podoben teoretski spekter kot razstava Tribe. Skozi framework razstave se magistrsko delo loti tudi teorije Manfreda Max-Neefa o osnovnih človeških potrebah ter zastavi vprašanje, kako bomo te potrebe zadovoljevali v prihodnosti. Skozi to prizmo v nalogi razmišljamo tudi o teoriji grajenja fikcijskih svetov – v tem primeru sveta projekta/razstave Tribe. Na koncu teoretskega dela je vzpostavljeno še vprašanje o odnosu med postinternetno umetnostjo in postvirtualnostjo projekta Tribe. Praktični del naloge predstavi proces oblikovanja in konceptualiziranja razstave ter natančno opiše vsako inštalacijo, ki je predstavljala del razstave. Skozi opis interakcije obiskovalcev z inštalacijami je prikazan njihov interaktivni značaj. Predstavljena je tudi vizualna komunikacija in grafični jezik projekta. Naloga se zaključi z orisom poteka razstave Tribe kot umetniškega dogodka ter odziva obiskovalcev razstave na prikazano ta predstavlja smiseln zaključek celotnega ustvarjalnega procesa. This Master's Thesis discusses the creative process behind the exhibition entitled Tribe, which was held by the author of the Thesis it documents the exhibition and lays out the theoretical and discursive background of the project. The project is thus presented through the prism of Speculative Design and the theoretical underpinnings of this movement. The Thesis begins with by considering the relationship between design and art and their mutual influence. In the theoretical section of the Thesis, we introduce the discourse of Speculative Design and related branches: Radical Design and Design Fiction. These movements encompass a theoretical spectrum similar to that of the Tribe exhibition. The Thesis then examines, through the framework of the exhibition, the theory of fundamental human needs by Manfred Max-Neef it poses the question: How are we going to satisfy those needs in the future? The Thesis then considers – through this theoretical lens – the theory of fictional world-building in this case, the fictional world of the Tribe exhibition. At the end of the theoretical section, the question about the relationship between postinternet art and the postvirtuality of the Tribe project is posed. The practical section of the Thesis presents the process of designing and conceptualizing the exhibition and closely describes each of its constituent installations. The interactive nature of the project is relayed through the description of the visitors’ interaction with the installations. We also consider the visual communications aspect of the project and its graphic language. The Thesis ends by recounting the course of the Tribe exhibition as an artistic event and describing the feedback given by its visitors – this being the logical conclusion of the entire creative process. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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