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V diplomskem delu se ukvarjam z vprašanji, kaj je razstava, zakaj se pri obisku razstav lahko počutimo nelagodno ter kakšen odnos ima razstava do fotografije. Na kratko opišem razvoj razstav, nato pa se osredotočim na umetniške razstave. V poglavjih o trgu, institucijah in kuratorjih so orisani vidiki, ki so fenomen razstave najbolj pojasnili, v poglavju o doživljanju razstave pa so predstavljeni dejavniki, ki vplivajo na obiskovalčevo izkušnjo prostora in časa, ter tudi razmerja med telesom in razstavljenimi objekti. Zanimala sta me tudi povezava in odnos med fotografijo in razstavo. Raziščem tako razstavo fotografije kot fotografijo razstave. Predstavljeni so različni načini razstavljanja fotografije in vpliv, ki ga ima fotografija razstave na doživljanje razstave. Na koncu pa so predstavljeni še rezultati vzporedno ustvarjenega vizualnega dela. In my bachelor's thesis I focus on the questions: what is an exhibition, why can exhibitions provoke a feeling of unease, and what specific relation does an exhibition have to photography. I describe the historical development of exhibitions, focusing on art exhibitions in particular. The chapter about market, institutions and curators presents these aspects which explain the most about the exhibition phenomenon. The chapter on the exhibition experience itself presents factors that affect visitor’s perception of time and space in an exhibition, as well as the relationship between the body of the spectator and the exhibited objects. I am also interested in this connection and relationship between photography and exhibition, for which I researched both exhibited photography, as well as the photography of exhibitions. Different ways of exhibiting photography are presented, as well as the influence that photographs of an exhibition have on the experience of the exhibition. Results of the visual work which was produced along with the research are presented at the end. |
