Effets de mode ou transfert de savoir-faire entre Pise et Moustiers? Les ateliers de Moustiers et leurs filiales en Provence aux XVIIe et XVIIIe siècles
| Autor: | Amouric, Henri, Vallauri, Lucy |
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| Přispěvatelé: | Laboratoire d'Archéologie Médiévale et Moderne en Méditerranée (LA3M), Aix Marseille Université (AMU)-Centre National de la Recherche Scientifique (CNRS), Platon Petridis, Anastasia G. Yangaki, Nikos Liaros, Elli-Evangelia Bia |
| Jazyk: | francouzština |
| Rok vydání: | 2021 |
| Předmět: | |
| Zdroj: | Proceedings of XIIth Congress AIECM3 on Medieval and Modern Period Mediterranean Ceramics, Athens, October 22-27, 2018 XIIth Congress AIECM3 on Medieval and Modern Period Mediterranean Ceramics, Athens, October 22-27 2018 Platon Petridis, Anastasia G. Yangaki, Nikos Liaros, Elli-Evangelia Bia. Proceedings of XIIth Congress AIECM3 on Medieval and Modern Period Mediterranean Ceramics, Athens, October 22-27, 2018, I (Resarch series 10), National Hellenistic resarch Foundation University of Athens, pp.111-119, 2021, 12th Congress AIECM3 On Medieval and Modern Period Mediterranean Ceramics, 978-960-7905-87-1 |
| Popis: | International audience; A clear inspiration from the Pisan models seems to be evident in the Provençal productions of the 17th century. Many ceramics decorated in"slipware" or incised "a sgraffiato" under glaze are related to the repertoire of forms and ornaments of Tuscan worsshops in the early 17th century. A little everywherein Provence, this "fashion" undoubtedly, or perhaps, testifies of a transfer of know-how of craftsmen installed or passed by Moustiers. From this last major center of ceramic production came from the year 1620 and until the 18th century many potters who first create workshops in the valley of Huveaune, then in the Val de Durance and maritime Basse Provence. Their productions had a growing success and a strong and wide diffusion first regional, then Mediterranean and until the Americas. |
| Databáze: | OpenAIRE |
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