Photography, city and urban landscape: revelations between Brazil and France (1840-1889)
| Autor: | Souza, Rodrigo Henrique Busnardo de |
|---|---|
| Přispěvatelé: | Salgado, Ivone, Bertoni, Angelo, Benfatti, Denio Munia, Pereira, Renata Baesso, Couto, Maria de F?tima Morethy |
| Jazyk: | portugalština |
| Rok vydání: | 2019 |
| Předmět: | |
| Zdroj: | Biblioteca Digital de Teses e Dissertações da PUC_CAMPINAS Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) instacron:PUC_CAMP |
| Popis: | Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2019-04-11T17:31:38Z No. of bitstreams: 1 RODRIGO HENRIQUE BUSNARDO DE SOUZA.pdf: 492889400 bytes, checksum: fbc6e13430b63b9a857afb791e548ad5 (MD5) Made available in DSpace on 2019-04-11T17:31:38Z (GMT). No. of bitstreams: 1 RODRIGO HENRIQUE BUSNARDO DE SOUZA.pdf: 492889400 bytes, checksum: fbc6e13430b63b9a857afb791e548ad5 (MD5) Previous issue date: 2019-02-27 Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES The present research aims to highlight the possible relations between Brazil and France, between 1840 and 1889, regarding the involvement of the researched intellectual tripod: photography, the city and urban landscape. The study of the relations between these two diverse cultures mainly addresses the interrelationship that nineteenth-century photography had in the urban landscape of the Brazilian and French capitals - Paris and Rio de Janeiro. The role played by the Brazilian emperor Dom Pedro II is evidenced through his decorations to the official photographers of the Empire, as well as the Brazilian participation in the Universal Expositions of 1876 and 1889, where the photograph of Brazilian urban landscapes were exposed. And the role of the French emperor Napoleon III, in renewing the urban fabric of Paris, highlighted the photographic services of Charles Marville - official photographer of Paris. This work deals with the urban plans designed and / or carried out in this temporal cut: on the Brazilian side, the Beaurepaire-Rohan Plans and the Improvement Plan for Rio de Janeiro; on the Parisian side, the Haussmann Plan. The exhibition of some of the images of two icons of nineteenth-century urban photography: Marc Ferrez in Brazil and Charles Marville in Paris is exposed. The images of the Photographers of the Imperial House, decorated by D. Pedro II, come to reinforce the exhibition of the Rio de Janeiro views, as well as its urban facilities. Therefore, through these revelations of a social, cultural, technical and scientific character, it is possible to show the fraternal involvement between photography and pre-urbanism, since, from their respective births, they walk independently, but inseparably, especially in the academic environment, whether it is aimed at the professional or the scientific universe. A presente pesquisa visa evidenciar as poss?veis rela??es entre o Brasil e a Fran?a, no per?odo entre 1840 e 1889, com rela??o ao envolvimento do trip? intelectual pesquisado: a fotografia, a cidade e paisagem urbana. O estudo das rela??es entre estas duas culturas diversas aborda sobretudo a inter-rela??o que a fotografia oitocentista teve diante da paisagem urbana das capitais brasileira e francesa ? Paris e Rio de Janeiro. O papel desempenhado pelo imperador brasileiro Dom Pedro II ? evidenciado por interm?dio de suas condecora??es aos fot?grafos oficiais do Imp?rio, bem como das participa??es brasileiras nas Exposi??es Universais de 1876 e 1889, onde a fotografia de paisagens urbanas brasileiras foram expostas. E o papel do imperador franc?s Napole?o III, em renovar a malha urbana de Paris, colocou em evid?ncia os servi?os fotogr?ficos de Charles Marville ? fot?grafo oficial de Paris. Este trabalho aborda os planos urbanos pensados e/ou realizados neste recorte temporal: do lado brasileiro, os Planos de Beaurepaire-Rohan e o Plano de Melhoramentos, para o Rio de Janeiro; do lado parisiense, o Plano de Haussmann. ? colocado ? luz a exposi??o de algumas obras imag?ticas de dois ?cones da fotografia urbana oitocentista: Marc Ferrez, no Brasil, e Charles Marville, em Paris. As imagens dos Fot?grafos da Casa Imperial, condecorados por D. Pedro II, v?m para refor?ar a exposi??o das vistas cariocas, bem como dos seus equipamentos urbanos. Torna-se poss?vel, portanto, atrav?s destas revela??es de car?ter social, cultural, t?cnico e cient?fico, mostrar o envolvimento fraterno entre a fotografia e o pr?-urbanismo, pois, desde seus respectivos nascimentos, ambos caminham de forma independente, por?m indissoci?vel, sobretudo no ambiente acad?mico, seja ele voltado para o universo profissional ou para o cient?fico. |
| Databáze: | OpenAIRE |
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