Inscri??es H?bridas da Ceramista
| Autor: | Azevedo, Ac?cia R?sea Souza |
|---|---|
| Přispěvatelé: | Andrade, Eliane Righi de, Almozara, Paula Cristina Somenzari, Amarante, Maria de F?tima Silva |
| Jazyk: | portugalština |
| Rok vydání: | 2021 |
| Předmět: | |
| Zdroj: | Biblioteca Digital de Teses e Dissertações da PUC_CAMPINAS Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) instacron:PUC_CAMP |
| Popis: | Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2021-08-13T12:17:02Z No. of bitstreams: 1 AC?CIA R?SEA SOUZA AZEVEDO.pdf: 227623 bytes, checksum: fb5ce493ce5b245652da642fb43de451 (MD5) Made available in DSpace on 2021-08-13T12:17:02Z (GMT). No. of bitstreams: 1 AC?CIA R?SEA SOUZA AZEVEDO.pdf: 227623 bytes, checksum: fb5ce493ce5b245652da642fb43de451 (MD5) Previous issue date: 2021-06-28 This research is an auto narrative about the processes of ceramic art and the ceramist?s processes of subjectivity, which articulates assemblages and flows between human and non-human objects in the studio space, considering the contributions of psychoanalysis, philosophy, art, and studies on technologies of the self, which dialogue with the movement of the ceramist in ?(un)folding? subjective processes and their relations with the act of creation. For this purpose, the theoretical concepts of event, haecceity, becoming, difference, assemblage, archive, memory, desire, and inscription are articulated, aiming to correlate the forms of assemblage in the process of (re)(de)construction of the self with the O(o)ther (other ceramists, traditions, techniques, tools, real and virtual spaces). The main objective is to understand how these elements are integrated into the set of processes linked to the practice of ceramics and art, reviewing the corpus comprised of the researcher?s personal diaries, photographs, and blog. In accordance with those aims, the self-narrative is chosen as a method to compose the writing, together with an interpretative and reflective attitude, which dialogues with the experiences and poetics of the artist-ceramist-researcher in the relationship with history and traces of subjective constructions and modes of existence, revealing that those processes are socioculturally outlined in collective and rhizomatic articulations. A presente pesquisa se dedica a relacionar os processos da arte cer?mica aos modos de subjetiva??o da ceramista, em agenciamentos e fluxos, entre objetos humanos e n?o humanos, no espa?o do ateli?, levando em considera??o as contribui??es da psican?lise, filosofia, arte e estudos sobre tecnologia de si, que dialogam com todo o mover-se da ceramista em processos de (des)dobramentos e suas rela??es de sentidos no ato de cria??o. Para tanto, articula-se os conceitos de: acontecimento, hecceidade, devir, diferen?a, agenciamento, arquivo, mem?ria, desejo e inscri??es. Busca-se correlacionar as formas de agenciamento em processo de (re)(des)constru??o de si com o O(o)utro, ou seja, com outros ceramistas, com as tradi??es, t?cnicas, ferramentas, espa?os reais e virtuais. Procura-se, com isso, compreender como esses elementos se integram no conjunto de procedimentos ligados ? pr?tica e, por seguinte, ? arte. Para tal estudo, analisa-se o corpus composto por di?rios pessoais, fotografias e blog da autora desta disserta??o. Desta maneira, opta-se pela autonarrativa como m?todo para compor a escrita, juntamente a uma atitude interpretativa e reflexiva, que dialoga com as experi?ncias e po?tica da artista-ceramista-pesquisadora, sua rela??o com a hist?ria e os rastros que evidenciam constru??es subjetivas e modos de exist?ncia, considerando processos sociais e culturalmente tra?ados no coletivo e em articula??es rizom?ticas. |
| Databáze: | OpenAIRE |
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