As estrat??gias de cria????o e convencimento da realidade: um estudo de caso do document??rio Super Size Me

Autor: Roncador, Nat??lia L??zaro
Přispěvatelé: Kieling, Alexandre S.
Jazyk: portugalština
Rok vydání: 2019
Předmět:
Zdroj: Biblioteca Digital de Teses e Dissertações da UCB
Universidade Católica de Brasília (UCB)
instacron:UCB
Popis: Submitted by Sara Ribeiro (sara.ribeiro@ucb.br) on 2019-07-08T16:44:32Z No. of bitstreams: 1 NataliaLazaroRoncadorDissertacao2019.pdf: 2277087 bytes, checksum: 9c106cf9da3cf6124261bfc83d6e73f7 (MD5) Approved for entry into archive by Sara Ribeiro (sara.ribeiro@ucb.br) on 2019-07-08T16:45:12Z (GMT) No. of bitstreams: 1 NataliaLazaroRoncadorDissertacao2019.pdf: 2277087 bytes, checksum: 9c106cf9da3cf6124261bfc83d6e73f7 (MD5) Made available in DSpace on 2019-07-08T16:45:13Z (GMT). No. of bitstreams: 1 NataliaLazaroRoncadorDissertacao2019.pdf: 2277087 bytes, checksum: 9c106cf9da3cf6124261bfc83d6e73f7 (MD5) Previous issue date: 2019-03-14 The expectation of the public to find different sources of information, reliable and independent of economic and political influences has the consequence of increasing production and search for documentary narratives. In order to renew its sources of reference and reading of the world, the public begins to consume in the demand to acquire a real picture of reality. However, the documentarist, in the position of filmmaker, although he has attention with the facts, the freedom to choose a point of view allows him a look at the truth reported. It is the construction of narrated reality, of an ideological perception of the director figured in a cinematographic production. Thus, it is relevant to know what are the strategies predominant to the non-fiction film capable of convincing the public about the veracity of a reality cut. In this attempt, we chose to study a film of great repercussion by the specialized, the documentary Super Size me (Morgan Spurlock, USA, 2004). A expectativa do p??blico de encontrar diferentes fontes informativas, confi??veis e independentes de influ??ncias econ??micas e pol??ticas tem como consequ??ncia o aumento da produ????o e da procura de narrativas documentais. Com o objetivo de renovar suas fontes de refer??ncia e leitura do mundo, o p??blico passa a consumir o g??nero f??lmico na exig??ncia de adquirir um retrato real da realidade. Por??m, o documentarista, na posi????o de cineasta, embora tenha aten????o aos fatos, a liberdade de abordagem lhe permite um olhar sobre a verdade relatada. Trata-se da constru????o da realidade narrada, de uma percep????o ideol??gica do diretor figurada em uma produ????o cinematogr??fica. Dessa forma, se mostra relevante conhecer quais s??o as estrat??gias predominantes no filme de n??o fic????o capazes de convencer o p??blico sobre a veracidade de um recorte da realidade. Nesse cen??rio, optamos por estudar um filme de grande repercuss??o pela cr??tica especializada e com sucesso de bilheteria, o document??rio Super Size me (Morgan Spurlock, EUA, 2004).
Databáze: OpenAIRE
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