| Popis: |
У дисертації здійснено системно-аналітичне потрактування жанру монодрами, уточнено термінологічний апарат, що стало можливим завдяки застосуванню методів не тільки літературознавства, а й суміжних гуманітарних дисциплін. Жанр монодрами потрактовано як культурно-історичний феномен, найширше репрезентований у кінці ХХ – на початку ХХІ ст. з точки зору наукових пошуків, театрально-драматургічної та соціокультурної інтенсифікації. Зроблено спробу цілісного теоретико-літературного осмислення жанру монодрами як втілення певної естетичної концепції дійсності; визначено етапи її розвитку. У дослідженні поетики описано специфіку тематики та проблематики, окреслено моносуб’єктну організацію монодрами з огляду на художнє втілення в монодрамі єдиної розділеної свідомості суб’єкта дії. Обґрунтовано жанрові параметри монодрами, виокремлено типи конфліктів, висвітлено властивості сюжету та хронотопу, розглянуто паратекстуальні та інтертекстуальні елементи. Здійснено спробу виявити феномен монодрами через дослідження проблеми “театральності”. The thesis presents a systematic and analytical interpreting of Monodramas genre correctly, the terminology is clarified, which became possible through the use of not only literature but also related humanities techniques. The basic Monodramas features were analyzed and it’s poetry was outlined based on a study of the genre as the author’s embodiment of the realities’ model. In this purpose, the most informative material of contemporary world drama were analyzed and the movement of author and reader strategies of the late XX − early XXI century was highlighted. In terms of scientific, theatrical and dramatic sociocultural researches the genre of Monodrama is interpreted as a cultural and historical phenomenon, the most widely represented at the end of the XX − XXI century. An attempt of coherent theoretical understanding of Monodramas genre as the embodiment of a certain aesthetic conception of reality model of the world was made; the process of Monodramas becoming the independent drama genre was described; the following stages of its development as diffusion, assimilation, modification and transformation were defined. The study describes the specific poetics existential themes and issues, image intensity and dramatic pathos of Monodramas. Metonymically-associative and associative and metonymical principles of reality modeling in this genre were determined. The analysis outlined monosubjective organization of Monodramas due to the artistic expression of a single entity action in mind of monodrama. Genre parameters of Monodramas as a rhetorical − communicative aspect were grounded, the fundamental role of confession and complaints which were important for Monodramas poetic reception were defined. By analyzing the opposition “spoken” / “unspoken” the types of conflicts in monodrama were traced on the specifics of conflict development on the example of contemporary world playwrights. Plot of Monodramas as a combination of linear and cyclic components was characterized. “Time-space and life crises break” Monodramas that time-space is split into subject and object. Paratextual and intertextual elements that were provided by functions genre motivation perception by Monodramas authors were analyzed. Monodrama as a dramatic genre with the sole subject of the action, the split of consciousness of which is realized by character through the opposition “spoken” / “unspoken” which not only reflects the internal conflict, but becomes a way of dramatic action in the process of deliverance, was interpreted. The concept of “monodramatical” is interpreted as one of the elements of poetics; receptive analysis; theater reception. An attempted to detect the phenomenon through research of Monodramas problem “theatricality” as a type of artistic worldview of the Monodramas authors was made. Monodramatical discourse of XXI century is defined as a significant factor in the cultural life of a society that has demonstrated a new phase of Monodramas opportunity: not just a genre, drama, theater, cultural and historical phenomenon, and manifested in the expansion of its context. At present the concept of “monodrama” containing to include different contents and functions of phenomena that can be seen against the background of the laws of theater: “Theater” author-writer; “Theater” of political life; one-man show; other theatrical phenomena where personality shows itself. In all manifestations of Monodramas its compensatory function remain important which made possible theatrical transformation of living to possibility of manifestation as bright personality. |
