Функции малых жанров детского музыкального фольклора тывинцев
| Jazyk: | ruština |
|---|---|
| Rok vydání: | 2014 |
| Předmět: | |
| Zdroj: | Вестник Кемеровского государственного университета культуры и искусств. |
| ISSN: | 2078-1768 |
| Popis: | В статье рассматривается проблема изучения функциональной направленности малых жанров детского музыкального фольклора тывинцев, в котором отражаются моральные установки народа, его национальные черты. The problem of studying the functional directivity of children’s of musical folklore, that reflects moral precepts of the people, its national traits, in light of the revival of interest in ethnic and cultural heritage values, is in demand in the modern humanities. This genre of folk art of the Tuvinian population was determined by the child’s age, his needs, compliance with mental and physical capacity, and was of great importance as performing the important functions on the upbringing and development of children, as closely linked to aspects such as music, art text, game, and features labor and economic activity. It should be noted that the materials relating to the children’s musical folklore of the Tuvinian population, are fragmentary and unsystematic. So, some information is contained in a series of V. P. Deacon’s articles “Childhood in Traditional Tuvan Culture and Telengits”, in which there are references to the child’s play, poteshki and pestushko [4, s. 165]. We also relied on the works of scientist, ethnomusicologist, folklorist A. N. Aksenov (studied the culture of Tuvin population in the 1940s), where are samples of of traditional tunes of Tuvin lullabies recorded in Kyzyl with the votes of the writer S. Saryg-ool and dramatist V. Kok-ool. This works were used as their own field materials collected in districts of the Republic of Tuva. In addition, we relied on the proposed by ethnopedagogic and ethnopsychologic researchers G.N. Volkov, K.B. Salchak, A.S. Schaaly and ethnographer Sund G. D, the following age periods that are existed in the traditional Tuvin culture of lullabies (kavaylyg uezi) infancy (uezi bowls), and childhood (bichii uezi) [3, s. 73; 8, s. 63]. Thus, the purpose of this article is the structurally semantic analysis of the small genre of Tuvin children’s folk music. From the foregoing, we have the following tasks: to reveal the function of Tuvin children’s folk music by genre features; reconstruct the small genres of children’s folk music, use field of folklore-ethnographical materials of informants Uliana Sandy Khuurak and Sayan Kara-ool. |
| Databáze: | OpenAIRE |
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