private Lithuanian art collecting during the Soviet times
| Autor: | Civinskienė, Kristina |
|---|---|
| Jazyk: | litevština |
| Rok vydání: | 2016 |
| Předmět: | |
| Zdroj: | Menotyra 2016, t. 23, Nr. 4, p. 246-263. |
| ISSN: | 1392-1002 2424-4708 |
| Popis: | Straipsnyje nagrinėjama kolekcionavimo, kaip siekio suteikti savo ekonominei gerovei aukštesnį statusą, tai yra paversti ją kultūriniu kapitalu, problema. Sovietmečiu antikvaro kaupimas buvo laikomas nelegalia veikla, tačiau Lietuvos dailės kolekcionavimas buvęs legalus ir kartu periferinis savos vaizduojamosios kultūros ženklų rinkimas. Analizuojamos trys to meto kolekcininkų kartos, kiekvienoje jų išskiriant savitus kolekcionavimo motyvus ir kūrinių rinkimo sąlygas. Tyrimo pagrindą sudaro sovietmečio kolekcininkų interviu. Collecting antiques in the Soviet times was considered an illegal activity. Meanwhile, collecting the contemporary Lithuanian art was peripheral and not a very interesting phenomenon for the government and society. Collecting Lithuanian art was a way to escape from the standardized living conditions. The intensified exhibition life in the seventh and eighth decades of the 20th c. became one of the most important impulsions to buy authentic art creations. Exhibitions and reviews formed a symbolic value of works. Taking art works from artists’ studios into collections turned their symbolic value into cultural capital. There were three generations of collectors in the Soviet times. The first one was born before the Second World War. These collectors were intellectuals of artistic and humanitarian professions. Their collections were formed from their like-minded fellow works in the seventh and eighth decades of the 20th c. The middle generation of collectors born after the Second World War started to collect in the eighth and ninth decades of the 20th c. Because of specific conditions of cities, most of collectors concentrated in Vilnius. In Kaunas, collectors mostly collected antiques, meanwhile visual arts were neglected. This generation mainly had technical or economic education and concentrated on collecting the works of the most famous Lithuanian artists. Young artists became a significant part of their collections. The youngest generation started to collect in the end of the ninth decade of the 20th c. Collecting was their hobby to satisfy their aesthetic needs. They had a pleasure to patronage artists. The Soviet collectors bought art works for self-education, cultural needs and aesthetic purposes. Communication with the artists was an important part of the formation of collections. |
| Databáze: | OpenAIRE |
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