| Popis: |
The article is devoted to the study of general trends in the development of Ukrainian theatrical art. The article deals with the issue of creative work and the contribution of Petro Ilchenko to modern Ukrainian theatre. Key artists who influenced the formation of the director’s creative preferences and tastes are identified.The purpose of the articleis to determine the features and phenomenon of the neoclassical style of theatre direction by Petro Ilchenko.The research methodologyis determined by the purpose of the work and includes the use of general scientific and special tools, in particular, the system and functional, analytical and synthetic, formal and logical methods. The basis is the connection of philosophical and aesthetic generalisations with art studies principles, theatre studies and empirical base.The scientific novelty of the researchlies in the fact that the article is one of the first comprehensive studies of the work of the Ukrainian theatre director Petro Ilchenko, in particular, the individual creative features of his activities.Conclusions.The theatrical genius of Petro Ilchenko adds to the list of the most talented Ukrainian directors, under whose direction such performances asPossessed,Strangers Among Us,The Landlord,The Kaidash Family,Shelmenko-denshchikand more than forty others were released. The director’s work is dominated by Ukrainian classics. The peculiarity of his neoclassical style lies primarily in the ability to adapt the content of the work to modern life, modifying only the entourage. At the same time, the director remains open to experiments on the cardinal change of the minor scale of the work to the major scale or vice versa. An obvious conflict in the system “director - author of the work” is a forced move, as a rule, justified, aimed at revealing new sides and vision of the highlighted issues. |
