| Popis: |
This bachelor thesis analyses the mystification of the Theatre of Jára Cimrman. In the individual chapters it describes the basic areas that constitute the form of mystification. In these chapters is discussed the relationship between mystification and language comic, writing plays, text-appeal, magazine Český svět and acting. At the same time common features between Jára Cimrman Theatre and radio broadcasts Vinárna U Pavouka, which the theatre took over the basic principle - mystification from are pointed out. In the conclusion which is based on the description of partial relations is discussed that the mystification of the Jára Cimrman Theatre only works if there are present all the individual components. By mutual interdependence of all components and their consistent cooperation is achieved the maximum effect. |
