| Popis: |
The subject of the presented paper is an investigation of specific forms of corporeality and related concept of perception present in Gernot Böhme's aesthetics of atmosphere. Subsequent application of them on particular art forms is an endeavour to show the potential of this aesthetic theory within the realm of reception and reflection of (not only) new art forms. Text deals with the analysis of Gernot Böhme's concept of subject understood purely as a body (felt body), which lives "in" and "through" space and represents an essential moment of legitimization of aesthetics of atmospheres. Subject understood in this way exceeds the traditional duality of mind and body and is also trying to rehabilitate certain form of "baumgartenian" aesthetics viewed as an aisthésis, or in other words as a general theory of perception. The shift on the side of the subject, which can be called "the shift towards felt body" is inspired by the radical concept of the subject introduced by neo-phenomenologist Hermann Schmitz. For Schmitz, human being is always primarily and essentially body (felt body) with its spatiality and only then a subject, acting individual or soul. Exactly this emphasis on physical presence in space - as a meeting point between neo-phenomenological tradition on one side and Böhme's accentuation of... |
