Zbirka Svetislava Stančića u Knjižnici Muzičke akademije u Zagrebu – Knjižnica Stančić s osvrtom na autografe pohranjene u Osobnom fondu Stančić

Autor: Mežnarić Karafin, Aleksandra
Jazyk: chorvatština
Rok vydání: 2023
Předmět:
Zdroj: Arti musices : hrvatski muzikološki zbornik
Volume 54
Issue 1
ISSN: 1848-9303
0587-5455
Popis: Pijanist, skladatelj te primarno klavirski pedagog Svetislav Stančić (1895-1970), utemeljitelj Zagrebačke pijanističke škole, smatra se središnjom osobom glazbene i kulturne scene prostora bivše Jugoslavije od prvih desetljeća 20. stoljeća do svoje smrti 1970. godine. Tijekom dugogodišnjeg umjetničkog i pedagoškog rada, koji je trajao od 1920. godine sve do njegove smrti, odgojio je više generacija klavirskih pedagoga i interpreta. Također je stvorio vrijednu osobnu knjižnicu te opsežan arhiv osobnih dokumenata, fotografija i dokumentacije vezane uz svoju umjetničku i pedagošku djelatnost. Cjelokupnu zbirku ovoga gradiva njegova je udovica Linda Stančić-Carnelutti nakon njegove smrti poklonila klavirskom odsjeku Muzičke akademije Sveučilišta u Zagrebu, a u Knjižnicu Muzičke akademije pristigla je 2015. (Knjižnica Stančić s malom zbirkom osobnih predmeta), odnosno 2021. godine (dokumentarni arhivski materijal). Cilj je ovog rada prikaz strukture i sadržaja Knjižnice Svetislava Stančića i, okvirno, njegova Osobnog arhivskog fonda, s popisom Stančićevih autografa. Također se želi ukazati na moguće pravce istraživanja s obzirom na to da raznoliko gradivo pohranjeno u Knjižnici i Osobnom fondu Stančić može biti dragocjen izvor podataka, podjednako zanimljiv klavirskim pedagozima, interpretima i muzikolozima.
Svetislav Stančić (1895-1970), a piano pedagogue, pianist, composer, and founder of the Zagreb Piano School, was considered a central musical and cultural figure in the former Yugoslavia from late 1920s until his death in 1970. During the five decades of artistic and pedagogical work, he taught several generations of piano pedagogues and performers. His valuable personal library (the Svetislav Stančić Library), and personal papers (Personal papers of S. Stančić) provide information on his personal, artistic and pedagogical interests and connections. After his death in 1970, his widow Linda Stančić-Carnelutti donated this entire collection to the Piano Department of the Zagreb Academy of Music. The Stančić Library was stored in room 21, and the Personal papers are stored in the archive of the Croatian Music Institute. In 2015, the Academy of Music Library, which moved to a new building in 2014, received all of the materials of the Stančić Library (648 books, 2261 printed music, 188 gramophone records, 25 manuscripts of other composers and some periodicals), and in 2021 his personal papers were also transferred to the Academy of Music Library. In 2022, the processing of the Stančić Library was completed, making it available to all users and researchers in the Academy of Music Library. Information about the titles in the Stančić Library is available through the Academy of Music Library online catalogue. The value of this collection comes from the variety of materials, themes, authors, composers, editors, performers and editions represented. A variety of topics and approaches to the problem of piano technique is represented in the books, and the Stančić Library contains a wide range of editions of the piano repertoire. Stančić’s hand-written comments and notes in the books and sheet music enable a detailed analysis of his critical attitude towards the methods of other piano pedagogues of his time. They also provide insight in his pedagogic and methodological approach, technical solutions (fingerings, pedal), his approach to interpretation and his redactions of works by other composers. Also of great importance is the collection of 25 autographs of Croatian and Slovenian composers, some of which are the only existing copies (part of the Stančić Library), as well as the collection of Stančić autographs (part of the Personal papers of Stančić). The diverse material of the Stančić Library and Personal papers is a very valuable source of information, important for piano pedagogues as well as performers, musicologists and other interested researchers. The collections can form the basis of research on Stančić’s approach to technical and pedagogical issues, on his place as a composer in Croatian music, on history of the piano department of the Academy of music, and on the general history of Croatian cultural and musical life of Stančić’s time.
Databáze: OpenAIRE
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