Mjerenje vremena potrebnog za izradu predromaničkog crkvenog namještaja

Autor: Ivo Donelli, Miona Miliša, Vedran Kundić
Jazyk: chorvatština
Rok vydání: 2014
Předmět:
Zdroj: Starohrvatska prosvjeta
Volume III
Issue 41
ISSN: 0351-4536
Popis: Stoljećima nakon izrade predromaničke skulpture, pokušali smo dočarati proces koji se odvijao pri stvaranju ovog dubrovačkog pluteja, prvotno sastavnog dijela reprezentativne cjeline liturgijskog namještaja iz crkve sv. Petra Velikoga u Dubrovniku. Razlog za izradu kamene replike predromaničkog pluteja, slijedeći tradicionalnu tehniku i koristeći izvorne alate za obradu kamena, javio se radi mogućnosti izračuna vremena koje je bilo potrebno za izradu ovoga i ostalih sličnih pleternih reljefa. Slijedeći klesarske radnje prilikom izrade replike predromaničkog reljefa, svjedoci smo stvaranja jednog novog pogleda na kamenu skulpturu navedenog razdoblja. Pridodajući ovaj kut gledanja dosadašnjim arheološkim spoznajama i pogledima sa stajališta povijesti umjetnosti, korak smo bliže razumijevanju samog razdoblja u čijem kontekstu je nastajala predromanička pleterna skulptura. Na kraju procesa izrade replike, dobili smo približno vrijeme koje je bilo potrebno ranosrednjovjekovnom majstoru-klesaru za izradu središnjeg polja predromaničkog pluteja. Samim tim, lako je izračunati idealno vrijeme koje je potrebno jednoj klesarskoj radionici za opremanje predromaničke crkve adekvatnim liturgijskim namještajem.
Centuries after the creation of Pre-Romanesque stone sculptures, we’ve tried to revive the process that is necessary for creating this pluteus from Dubrovnik, which was initially a part of the representative whole of the liturgical furniture from the church of St. Peter the Great in Dubrovnik. There are very few written sources from this period which would inform us about the conditions, knowledge, skill, education and tools from which each sculpture had been produced. Studying Pre-Romanesque heritage, researchers, scientists, experts and theorists are often directed only to the silent stone fragment of a monument. Each fragment has characteristics of a whole and the time period in which it was created, as well as the sacral structure to which it belonged. The reason for creating a stone replica of a Pre-Romanesque pluteus, thereby using the traditional technique and original tools for stone modelling arose due to the possibility of calculating the amount of time necessary for the creation of this and other similar interlace reliefs. During the actual stone carving process, getting closer to the original craftsman – the carver, the beliefs and liturgical rules of the historical Pre-Romanesque age is inevitable. Following the stone carving process during the making of the Pre-Romanesque relief, we are witnesses to the creation of a new perception of the stone sculpture from the mentioned time period. Adding this perception to the archaeological knowledge and viewpoints that we’ve had in regard to art history to date, we are one step closer to understanding the actual time period in which the Pre-Romanesque interlace sculpture was created. With the creation of the pluteus replica, we attempted to discover the functioning of its own language, to recognize the system of signs so that we may get even closer to the mindset and process which was used by the Pre-Romanesque craftsman. As a conclusion to the creation of the replica, we got an approximate time frame which the early mediaeval craftsman needed to create the central field of the Pre-Romanesque pluteus. Using this information, it is easy to calculate the ideal time necessary for one stone workshop to furnish a Pre-Romanesque church with adequate liturgical furniture.
Databáze: OpenAIRE
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