OBRAZNE POSODE IZ PETOVIONE

Autor: Mojca VOMER GOJKOVIČ
Jazyk: slovinština
Rok vydání: 2010
Předmět:
Zdroj: Histria antiqua
Volume 19
Issue 19
ISSN: 1331-4270
Popis: Rimske obrazne posode so med najbolj nenavadnimi in zanimivimi vrstami lončenine, proizvedene v rimskem obdobju. Obrazi na obraznih posodah, vrčih in čašah, so vedno nekoliko stilizirani in shematični; so skrivnostni, mnogokrat s komičnim izrazom in pogosto s pikolovsko natančnostjo. Vsak obraz na posodi je oblikovan posamezno, ročno in ne v kalupu. Poteze so modelirane plastično, lahko so vrezane; stena lonca je z modeliranjem obraza običajno nespremenjena. Na oljenkah so upodobljeni otroški obrazi, maske in božanstva, na strešnih čelakih - antefiksih pa ženski in moški obrazi. V Petovioni so obrazne posode pogoste, datiramo jih v čas od 1. do 4. stoletja, najpogosteje se pojavljajo v času njenega največjega obsega v 2. in 3. stoletju, ko je doživljala tudi svoj največji razcvet; poznamo pa jih tudi iz ostalih pomembnejših najdišč v Sloveniji.
Since prehistoric times appear different forms of containers, including containers are also in the form of the human body or human face. Facial vessels are among the most unusual and interesting types of ceramics produced in the Roman period. First, they occur in Italy, but they soon expanded to the limits of military sites along the Rhine and Danube, and from there have spread to Britain and the Dacijo. In Pannonia, were found in many locations (Brigetio, Poetovio, Neviodunum). Although not common, they are also found in most provinces of the Roman Empire, some of which was found west of the Rhine, especially in Belgium and Spain. Also in Poetovio facial vessels occur frequently. They are dated to the time of the first to the fourth century. Faces appear in two types of vessels, namely the major and minor facial mug cup. Face jugs are similar forms such as kitchen pots, usually made of coarse pottery and 20- 25 cm high, but may be lower or higher, sometimes 35 cm high or more. Face bowls are smaller, have a form of bowls or drinking cups, Most often they are fine construction and are mainly between 9-12 cm high, and some may be up to 20 cm high and are classified as “major facial case”, as they respond to other very similar, large beakers forms, mostly dated in the second and third century. Face the potter formed containers individually, sometimes crude, often meticulously with precision. Faces have strange, mysterious, somewhat comically portrayed terms unusual for classical and natural images that are associated with the Roman period. Faces in the jugs and beakers are always somewhat stylized and schematic, moves are simple and are modelled by hand, some features are complemented with cuts and stabs. Wall pot is modelling of the face usually stable, sometimes eye socket slightly indented or chin pushed outwards. On the face jugs faces are on the upper half of the pot and often quite high at the shoulders or just below the rim or the neck. On the face beakers face a much larger and covers a large part of the container. There are also other less common types of bowls or cups with a face that is different from consideration of facial vessels. These are containers with one or more administered masks or faces. On Poetovios ceramic jugs appear to have administered under the handles look genius. Masks and faces appear on oil lamps; images of child and face masks, comic or tragic, or both, divinities are depicted on oil lamps held by the museum in Ptuj. Special forms of masks or faces are antefixes, the front tiles on the roofs of Roman villas and temples. Their images represent the human faces, of women or men. More naturalistic faces are on sculptures, mosaics, wall paintings or on metal or ceramic vessels. Faces of the vessels are often illustrated hair on the face, but sometimes horns, wings, or snakes, which is typical of the gods or goddesses, and they can be identified. Face-pots are quite frequent in 1st till 4th century Poetovio, most frequent in time of towns biggest size and economy growth in 2nd till 3rd century, and are also known from major sites in Slovenia, in Emona, Neviodunum and other. Face to face containers is rarely possible to identify. Their stylized, schematic faces are often very different from almost all other known images or mask from the Roman period. Likely to fall within the scope of popular art and folk traditions in Italy or in the Roman provinces.
Databáze: OpenAIRE
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