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The paper engages with the role of embodiment in perceptions of creativity, by discussing the aims and motivations behind the workshop ‘The Role of Embodiment in the Perception of Human & Artificial Creativity’, organized by the authors in the context of the 13th International Conference on Computational Creativity, ICCC’22. This workshop pioneered a novel format for the Computational Creativity community in which artists are on hand to physically share and discuss their process with the research audience. We describe the structure of the workshop and the methodology followed in designing the audience survey conducted during the first day. Lastly, we argue for the relevance of more in-field studies aimed at testing the role played by the interaction with live artistic processes on evaluations of creativity. published |
