A Study of Yi Fujiu and Fei Hanyuan : Painters of the Qing Dynasty stayed in Japan in the Eighteenth Century
| Jazyk: | čínština |
|---|---|
| Rok vydání: | 2022 |
| Předmět: | |
| Zdroj: | 東アジア文化交渉研究 = Journal of East Asian cultural interaction studies. 15:475-485 |
| ISSN: | 1882-7748 |
| Popis: | During the Edo period (1603-1868), the Shogunate took the "isolation policy" and only kept Nagasaki as a trading port. At the beginning of the 18th century, Chinese businessmen who were good at painting went to Nagasaki for trade, were called "imported painters" in Japan. In the history of Japanese art, Yifu Jiu and Fei Hanyuan from Huzhou, who are known as the "the four from the imported painters from the Qing", worked and taught in Japan. They provided the aesthetic and creative fashion of literati painting for the Japanese painting circle, and became the media influencing the formation of early Japanese Nanga. 陶徳民教授古稀記念号 |
| Databáze: | OpenAIRE |
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